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If you simply need to mix a few sources to stereo – but insist on the finest audio quality available – the MG10/2 or MG8/2FX is probably the way to go. They’re compact and convenient to use, but won’t compromise your signal in any way. With an optional adaptor the MG10/2 can even be mounted on a microphone stand for totally flexible positioning and easy access. And the MG8/2FX’s built-in effects can take your music to a new dimension. For demo and music production, small sound reinforcement applications, or simply as a super utility mixer for any application, you can’t lose with these compact performers.
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MG10/2 , MG8/2FX
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| Unit; mm |
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8 or 10 Input Channels
The MG10/2 features a total of 10 input channels:
two mono microphone/line inputs and four stereo line inputs, two of which offer mono microphone input capability. The MG8/2FX has two mono microphone/line inputs and three stereo line inputs, two with mono microphone input capability. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.
A Variety of Input Connectors
 Balanced XLR
connectors are provided on both mono inputs and two of the stereo inputs (a total of four XLR connectors), in addition to phone jack connectors. Two of the stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo input on the MG8/2FX, and the remaining two stereo inputs on the MG10/2, feature both phone jack and pin jack inputs for broad connectivity. A separate stereo 2TR input with pin-jack connectors is provided for independent input of signals from CD players or similar sources.
Four Low-noise, High-precision Mic Preamps
 The microphone preamps provided on the two mono channels and two of the four stereo channels would be worth the price of the entire mixer if packaged separately. These are highperformance head amplifiers that will bring out the best in any dynamic or condenser microphone.
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Phantom Power
So you can take advantage of the superior sonic quality of professional-class studio condenser microphones, all four high-performance mic preamps feature switchable phantom power. A single switch turns phantom power on or off for all four channels.
Insert I/O
Mono input channels feature insert I/O patch points so you can add compressors or EQ for vocals, a noise gate on a guitar channel, or other extra signal processing to individual channels as required.
3-band Channel EQ & HPF
Designed for smooth, "musical" response, the 3-band equalizers provided on all input channels are one more sonic tool you can use to create clean, professional mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.
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MG10/2 |
MG8/2FX |
| Total Harmonic Distortion |
Less than 0.1 % (THD+N)
20 Hz – 20 kHz @ +14 dBu (ST OUT) *3 |
| Frequency Response |
-3, 0, +1 dB
20 Hz – 20 kHz @ +4 dBu (ST OUT) |
| Input Hum & Noise *1 |
-128 dBu
Equivalent Input Noise/-100 dBu Residual Output Noise, 20 Hz ¡© 20 kHz, Rs=150 §Ù, Input Gain=Maximum, Input sensitivity=-60 dB *3 |
| Crosstalk |
-70 dB @ 1 kHz |
| CH Input |
Mic |
4 (Ch 1 – 2, 3/4, 5/6: XLR) |
| Line |
2 (Ch 1 – 2: TRS:Phone) |
| Stereo |
2 (Ch 3 – 4, 5 – 6: TRS:Phone) * Ch3, 5: L (MONO)
2 (Ch 7 – 8, 9 – 10: TRS:Phone/RCA:Pin) |
2 (Ch 3 – 4, 5 – 6: TRS:Phone) * Ch3, 5: L (MONO)
1 (Ch 7 – 8: TRS:Phone/RCA:Pin) |
| Insert I/O |
2 (Ch 1 . 2: TRS:Phone = T: Out, R: In, S: Gnd) |
| AUX |
Send |
2 (1/Pre, 2/Post: TRS:Phone) |
1 (Effect / AUX) |
| Return |
1 Stereo (L/MONO, R: TRS:Phone) |
| EFFECT |
Send |
— |
(Same as AUX Send) |
| 2TR |
In |
1 Stereo (L, R: RCA:Pin) |
| REC |
Out |
1 Stereo (L, R: RCA:Pin) |
| ST |
Out |
1 Stereo (L, R: TRS:Phone) |
| C/R |
Out |
1 Stereo (L, R: TRS:Phone) |
| GROUP |
Out |
— |
| Phones |
1 (TRS:Phone Stereo) |
| Phantom Power |
+ 48 V |
| CH & ST Ch Input Gain Control |
44 dB valiable |
| CH & ST High Pass Filter |
80 Hz 12 dB/Octave |
CH EQ (MONO) *2
±15 dB (Max.) |
High |
10 kHz (Shelving) |
| Mid |
2.5 kHz (Peaking) |
| Low |
100 Hz (Shelving) |
CH EQ (STEREO) *2
±15 dB (Max.) |
High |
10 kHz (Shelving) |
| Hi-Mid |
— |
| Mid |
2.5 kHz (Peaking) |
| Low-Mid |
— |
| Low |
100 Hz (Shelving) |
| Graphic Equalizer |
— |
| Internal Digital Effect |
— |
16 Programs: Parameter Control |
| Dimensions |
Width |
251 mm |
| Depth |
290.5 mm |
| Height |
65 mm |
| Weight |
1.8 kg |
| Power Requirements |
19 W 120 V/60 Hz
19 W 220 V/50, 60 Hz
19 W 230 V/50 Hz
19 W 240 V/50Hz |
20 W 120 V/60 Hz
20 W 220 V/50, 60 Hz
20 W 230 V/50 Hz
20 W 240 V/50 Hz |
| Other |
Mic Stand Mountable |
Foot Switch Jack (ON/OFF)
Mic Stand Mountable |
| Option |
Mic Stand Adapter BMS-10A |
Mic Stand Adapter BMS-10A
Foot Switch FC5 |
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| *1 |
Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation. |
| *2 |
Turn over /roll-off frequency of shelving : 3 dB below maximum variable level. |
| *3 |
(CH,12): MG10/2, (CH1-4): MG12/4, (CH1-8): MG16/4, MG16/6FX. |
| *4 |
Power Supply Adaptor PA-10 (MG10/2,MG8/2FX), PA-20 (MG12/4,MG16/4,MG12/4FX), PA-30 (MG16/6FX). |
MG8/2FX
INPUT CHARACTERISTICS
| Connection |
Gain
Trim |
Actual
Load
Impedance |
For Use
With
Nominal |
Input Level *1 |
Connector
In Mixer |
| Nominal |
Max. before Clip |
| CH IN MIC (1 – 2) |
-60 |
3 kΩ |
50 – 600 Ω Mics |
-60 dBu (0.775 mV) |
-40 dBu (7.75 mV) |
XLR-3-31 type *2 |
| -16 |
-16 dBu (123 mV) |
+4 dBu (1.23 V) |
| CH IN LINE (1 – 2) |
-34 |
10 kΩ |
600 Ω Lines |
-34 dBu (15.5 mV) |
-14 dBu (155 mV) |
Phone Jack (TRS) *3 |
| 10 |
+10 dBu (2.45 V) |
+30 dBu (24.5 V) |
ST CH MIC IN
(CH 3 – 4, 5 – 6) |
-60 |
3 kΩ |
50 – 600 Ω Mics |
-60 dBu (0.775 mV) |
-40 dBu (7.75 mV) |
XLR-3-31 type *2 |
| -16 |
-16 dBu (123 mV) |
-10 dBu (245 mV) |
ST CH LINE IN
(CH 3 – 4, 5 – 6) |
-34 |
10 kΩ |
600 Ω Lines |
-34 dBu (15.5 mV) |
-14 dBu (155 mV) |
Phone Jack *4 |
| 10 |
+10 dBu (2.45 V) |
+30 dBu (24.5 V) |
ST CH INPUT
(CH 7 – 8, 9 – 10) |
10 kΩ |
600 Ω Lines |
-10 dBu (245 mV) |
+10 dBu (2.45 V) |
Phone Jack *4
RCA Pin Jack |
| CH INSERT IN (1 – 2) |
10 kΩ |
600 Ω Lines |
0 dBu (0.775 V) |
+20 dBu (7.75 V) |
Phone Jack (TRS) *5 |
| AUX RETURN [L, R] |
10 kΩ |
600 Ω Lines |
+4 dBu (1.23 V) |
+24 dBu (12.3 V) |
Phone Jack *4 |
| 2TR IN [L, R] |
10 kΩ |
600 Ω Lines |
-10 dBV (316 mV) |
+10 dBV (3.16 V) |
RCA Pin Jack |
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OUTPUT CHARACTERISTICS
| Connection |
Actual
Source
Impedance |
For Use With
Nominal |
Output Level *1 |
Connector
In Mixer |
| Nominal |
Max. before Clip |
| ST OUT [L, R] |
150 Ω |
10 kΩ Lines |
+4 dBu (1.23 V) |
+24 dBu (12.3 V) |
Phone Jack (TRS) *6 |
| AUX SEND |
150 Ω |
10 kΩ Lines |
+4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone Jack (TRS) *6 |
| CH INSERT OUT (1 – 2) |
150 Ω |
10 kΩ Lines |
0 dBu (0.775 V) |
+20 dBu (7.75 V) |
Phone Jack (TRS) *5 |
| 2TR OUT [L, R] |
600 Ω |
10 kΩ Lines |
-10 dBV (245 mV) |
+10 dBV (2.45 V) |
RCA Pin Jack |
| C-R OUT [L, R] |
150 Ω |
10 kΩ Lines |
+4 dBu (1.23 V) |
+20 dBu (7.75 V) |
Phone Jack (TRS) *5 |
| PHONES OUT |
100 Ω |
40 Ω Phones |
30 mW |
75 mW |
Stereo Phones Jack |
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